Rolling Stone. Log In. To help keep your account secure, please log-in again. You are no longer onsite at your organization. Please log in. For assistance, contact your corporate administrator. Arrow Created with Sketch. Calendar Created with Sketch. Path Created with Sketch. Shape Created with Sketch. Like that Ann Harada and Sean Dugan look really good in green!
And Dev, Beloved Dev, is a really fucking good dancer!!! Like, really, really good! Did that blow your mind? At BAM, which is eternal. Or Arthur Miller? And what would a Bollywood musical version of The Crucible be like? Awesome, is the answer. Abigail and John Proctor would have a dance off of forbidden lust. Goody Proctor could do a poppet number. But most important!
Carpet is there! He knows where Carpet is. So I think that would be one difference about [ A Thousand and One Nights ], as oppose to some of the Marilyn numbers, where we like to run it all the way through if we can. Because the way I build [the Marilyn numbers] is that they would be able to play on a proscenium stage.
But with the Bollywood number [because it was all fantasy], we knew we would never be able to shoot it straight through. The second you finish a number, you have to go to the next number.
So the best thing is the excitement of always being creative. You have to make a choice, and then you have to learn to believe in your choices and move forward. More Best of Behind the Scenes coverage. Home Article 'Smash' choreographer remembers that Bollywood fantasy number. Save FB Tweet More. TV Show. Episode Recaps Smash Recap. One night, Rebecca takes Karen to a club and urges her to sing with the band Rebecca is sizing up the competition.
Karen sings Snow Patrol's "Run," once again excelling in the pop-concert setting. Rebecca has learned what she needed: That Cartright girl is a vocal threat! Karen, who once played Maria in The Sound of Music in the heartland, continues to astound for her ability to have any contemporary pop song at the ready.
She has committed the hits of "Snow Patrol" to memory, but does she know "Mister Snow" by heart? You need to learn about Carousel. Ellis, we're happy to report, has been relegated to making smoothies for kooky Rebecca. In an act that is dramatically fuzzy in the "Smash" storytelling tradition, Ellis and Ivy Megan Hilty collaborate to send an anonymous text to Karen, telling her she's not needed in rehearsal.
A Christie's description from a Lot in a auction of "The Personal Property of Marilyn Monroe" reads this way: "The white lacquered piano is earlyth century, unknown American manufacturer. After the star's mother was institutionalized, the piano was sold and it would take years of searching for Marilyn to finally locate the piano and buy it back. Ruminative, poetic, sentimental, elliptical and sad, the number by composer-lyricist Shaiman and lyricist Wittman is one of the most ambitious original songs in the series.
We hear it in rehearsal sung by Ivy , and it bleeds over a montage of domestic activity featuring "Smash" characters. It doesn't completely land as related to the story threads of Bombshell 's musical-makers, but it adds musical variety and emotional depth to the musical drama being penned by Tom Christian Borle and Julia Debra Messing.
You take these writers more seriously. It's so good, in fact, that greedy Rebecca says that Marilyn — rather than one of her shadows — should sing it.
Here's a video clip of the sequence. During a tension-filled Indian-restaurant dinner with Rebecca and boyfriend Dev, Karen is mesmerized by a Bollywood musical film being shown on television inside the eatery.
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